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Hunter College Sorensen Center for Intl Peace & Justice
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Sorensen Center for International Peace and Justice
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Art piece intitled

Justice Through Art

The Justice Through Art Initiative leverages the power of different art forms to bring new perspectives and depth to social justice issues and legal challenges. The initiative was launched in 2016 with the pop-up exhibition, Weights and Measures, by Bradley McCallum and has included several large-scale, cutting-edge public displays, including Guantánamo [Un]Censored: Art from Inside the Prison (2020) and 1001 Voices (2021).

In 2020, marking the 18th anniversary of the opening of Guantánamo Bay prison, the Sorensen Center partnered with the Center for Constitutional Rights and CUNY Law’s Immigrant and Non-Citizen Rights Clinic to host Guantánamo [Un]Censored: Art from Inside the Prison, featuring works created by men incarcerated without charge or fair process at the infamous facility. The installation showcased works – the majority of which have never before been displayed – of thirteen current and former Guantánamo prisoners, and included a range of artistic styles and mediums. From acrylic landscapes on canvas to model ships made from scavenged materials, such as plastic bottle caps and threads from prayer rugs, Guantánamo [Un]Censored celebrated the artists’ creativity and resilience.

Guantánamo Bay has become a symbol of injustice, abuse, and flagrant disregard for the rule of law. Since the prison camp opened in 2002, 780 men have been unlawfully imprisoned. Many were subjected to torture and other brutal treatment.

Special thanks to the artists at Guantánamo for sharing their works — and to their lawyers who provide hope.

Artists: Mansoor Adayfi, Moath al-Alwi, Djamel Ameziane, Mohammed al-Ansi, Ghaleb al-Bihani, Towfiq al-Bihani, Assadulah Haroon Gul, Khaled Qasim, Sabry Mohammed al-Qurashi, Ahmed Badr Rabbani, Abdulmalik al-Rahabi, Mohamedou Salahi. Writings By: Abdullatif Nasser

A model ship created by Moath al-Alwi. al-Alwi worked for 48 hours straight on each ship and became physically ill after completing them

A model ship created by Moath al-Alwi. al-Alwi worked for 48 hours straight on each ship and became physically ill after completing them.

In 2021, the Sorensen Center proudly presented a window installation of visual poetry highlighting the immigration stories of CUNY Law students, clients they work with, and other members of the community.

The installation featured an excerpt from Judith Sloan’s libretto of 1001 Voices: A Symphony for a New America, (written in 2012), which pays homage to recent immigrants and refugees to the United States and re-envisions the Emma Lazarus sonnet The New Colossus (written in 1883 for the Statue of Liberty). The poem, written by Sloan and visualized by Warren Lehrer, portrayed a message of welcome and inclusion as it celebrated the work of the Sorensen Center and the mission of CUNY School of Law: “law in the service of human needs.”

The last line of the poem, “Tell me your stories, I’ll keep them alive,” spoke to the process of listening that CUNY Law students are trained to use with clients. Lehrer’s panoramic design for the CUNY Law windows sets discrete phrases within the poem into their own panels—through typography, photography, color, shape, metaphor. Each of the 17, six-and-a-half foot wide panels float within a street level window. The panels are double-sided, enabling viewers to interact with the poem inside and outside the building.

Located across from the Court Square subway station on a bustling street in the most diverse county in America, this installation shed the light of poetry and art on a national crisis that is dividing the country and calling into question the meaning of the “American Dream.”

Funding for this exhibition was provided by City Artist Corps grant received by Warren Lehrer and a New York State Council of the Arts Restart NY-Rapid Live Performance grant received by EarSay.

1001 Voices

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