Ph.D., Harvard University
Jonathan Rosenberg teaches twentieth-century U.S. history at Hunter College and the Graduate Center of the City University of New York. His research focuses on the history of the United States in a global context. His current project, From the New World: International Politics and Classical Music in Twentieth-Century America, considers the interrelationship between international affairs and the culture of classical music in the United States from the First World War to the Cold War. Spanning a period of sixty years, the work explores American engagement with the twentieth-century world by examining how singers, instrumentalists, conductors, composers, music critics, and ordinary concertgoers established connections between the world of music and overseas developments; how performing institutions responded to world affairs; and how U.S. policy makers attempted to use music to advance the diplomatic objectives of the United States. In conjunction with this project, Rosenberg has given lectures and conference papers on music and U.S. foreign relations at the Sibelius Academy, Helsinki (May 2014); the Free University of Berlin (April 2014); the University of Antwerp (December 2013); Leiden University (September 2013); the University of Helsinki (May 2013); and Harvard University (March 2013).
Recent and forthcoming publications include “The African-American Freedom Struggle and the Cold War,” in The Oxford Handbook of American Foreign Relations, Robert Johnson, ed. (Oxford University Press, forthcoming); “`To Reach… Into the Hearts and Minds of Our Friends’: American Symphonic Tours and the Cold War,” in Music and International History, Jessica Gienow-Hecht, ed. (Berghan Books, 2015); “Leningrad Comes to America: The 1942 American Premiere of the Shostakovich Seventh Symphony,” in Asia Pacific in the Age of Globalization, Robert Johnson, ed. (Palgrave Macmillan, 2015); “`The Best Diplomats Are Often the Great Musicians’: Leonard Bernstein and the New York Philharmonic Play Berlin,” New Global Studies 2014; and “America on the World Stage: Music and Twentieth-Century U.S. Foreign Relations,” Diplomatic History (January 2012).
In additon, Rosenberg is the author of How Far the Promised Land?: World Affairs and the American Civil Rights Movement from the First World War to Vietnam (Princeton University Press, 2006). He is the co-author of Kennedy, Johnson, and the Quest for Justice: The Civil Rights Tapes (W.W. Norton, 2003); and with John Lewis Gaddis and Ernest May, he co-edited Cold War Statemen Confront the Bomb: Nuclear Diplomacy since 1945 (Oxford University Press, 1999). Rosenberg has contributed articles and reviews to a variety of scholarly publications, and has also written for The Christian Science Monitor, The Wilson Quarterly, and The Washington Post.